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100% hand painted, 100% cotton canvas,
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Vincenzo Foppa
1427-1516
Italian
Vincenzo Foppa Locations
Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.
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Saint_Anthony_of_Padua_Vincenzo_Foppa
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Oil_on_panel,_148.9_x_57_cm_Washington,_National_Gallery_of_Art
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Click to Enlarge
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Saint Anthony of Padua Vincenzo Foppa
Oil on panel, 148.9 x 57 cm Washington, National Gallery of Art
cjr
Painting ID:: 82648
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| Oil on panel, 148.9 x 57 cm Washington, National Gallery of Art
cjr |
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Vincenzo Foppa
1427-1516
Italian
Vincenzo Foppa Locations
Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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