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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries
Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
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Perseus_and_Andromeda
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H._1.8_m_(70_¾_in.),_W._1.5_m_(59_in.)
Oil_on_canvas,_1611.
cjr
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Joachim_Wtewael
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Perseus and Andromeda H. 1.8 m (70 ¾ in.), W. 1.5 m (59 in.)
Oil on canvas, 1611.
cjr
Painting ID:: 82525
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H. 1.8 m (70 ¾ in.), W. 1.5 m (59 in.)
Oil on canvas, 1611.
cjr |
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Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries
Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
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