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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Eugene Fromentin
1820-1876
He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849 he obtained a medal of the second class.
In 1852 he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. In a certain sense his works are contributions to ethnological science as much as they are works of art.
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Moroccan_Horsemen_at_the_Foot_of_the_Chiffra_Cliffs
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Date_19th_century
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Medium_Oil_on_canvas
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Dimensions_99_x_73.5_cm_(39_x_28.9_in)
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cjr
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Click to Enlarge
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Moroccan Horsemen at the Foot of the Chiffra Cliffs
Date 19th century
Medium Oil on canvas
Dimensions 99 x 73.5 cm (39 x 28.9 in)
cjr
Painting ID:: 81285
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| Date 19th century
Medium Oil on canvas
Dimensions 99 x 73.5 cm (39 x 28.9 in)
cjr |
|
Eugene Fromentin
1820-1876
He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849 he obtained a medal of the second class.
In 1852 he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. In a certain sense his works are contributions to ethnological science as much as they are works of art.
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