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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Ivan Argunov
Russian Rococo Era Painter , 1727/1729-1802
Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
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Portrait_of_Countess_Tolstaya
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1768(1768)
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Medium_Oil_on_canvas
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Dimensions_96.5_x_78.5_cm_(38_x_30.9_in)
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| Ivan_Argunov
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Portrait of Countess Tolstaya
1768(1768)
Medium Oil on canvas
Dimensions 96.5 x 78.5 cm (38 x 30.9 in)
cyf
Painting ID:: 80468
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| 1768(1768)
Medium Oil on canvas
Dimensions 96.5 x 78.5 cm (38 x 30.9 in)
cyf |
|
Ivan Argunov
Russian Rococo Era Painter , 1727/1729-1802
Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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