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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Henri Pierre Danloux
1753-1809 French
French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
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Baron_de_Besenval_in_his_Salon_de_Compagnie
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Date_1791(1791)
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Medium_Oil_on_canvas
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Dimensions_46.5_??_37_cm_(18.3_??_14.6_in)
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Click to Enlarge
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Baron de Besenval in his Salon de Compagnie
Date 1791(1791)
Medium Oil on canvas
Dimensions 46.5 ?? 37 cm (18.3 ?? 14.6 in)
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Painting ID:: 76999
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| Date 1791(1791)
Medium Oil on canvas
Dimensions 46.5 ?? 37 cm (18.3 ?? 14.6 in)
cyf |
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Henri Pierre Danloux
1753-1809 French
French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
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