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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Dona_Antonia_de_Ipenarrieta_y_Galdos_y_su_hijo_don_Luis
1631-1632 _ Oil_on_canvas _ 205_??_115_cm_(80.7_??_45.3_in) _ cjr

Diego Velazquez Dona Antonia de Ipenarrieta y Galdos y su hijo don Luis oil painting on canvas

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Diego_Velazquez
Dona Antonia de Ipenarrieta y Galdos y su hijo don Luis
1631-1632 Oil on canvas 205 ?? 115 cm (80.7 ?? 45.3 in) cjr

Painting ID::  75791

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    1631-1632 Oil on canvas 205 ?? 115 cm (80.7 ?? 45.3 in) cjr
Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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