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Daniel Huntington

(October 4, 1816 -April 19, 1906), American artist, was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with Samuel F.B. Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he painted many genre, religious and historical subjects. From 1851 to 1859 he was in England. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.
The_Republican_Court_(Lady_Washington's_Reception_Day)
ca._1861(1861) _ _Oil_on_canvas _ 167.6_x_277_cm_(65.98_x_109.05_in)

Daniel Huntington The Republican Court (Lady Washington's Reception Day) oil painting on canvas

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Daniel_Huntington
The Republican Court (Lady Washington's Reception Day)
ca. 1861(1861) Oil on canvas 167.6 x 277 cm (65.98 x 109.05 in)

Painting ID::  71516

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    ca. 1861(1861) Oil on canvas 167.6 x 277 cm (65.98 x 109.05 in)
Daniel Huntington
(October 4, 1816 -April 19, 1906), American artist, was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with Samuel F.B. Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he painted many genre, religious and historical subjects. From 1851 to 1859 he was in England. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.
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