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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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CASTIGLIONE, Giovanni Benedetto
Italian Baroque Era Painter, ca.1609-1664
Painter, printmaker and draughtsman. Most of his works are scenes of the journeys of the patriarchs (e.g. Noah, Abraham, Isaac, Jacob), drawn from the book of Genesis and filled with animals and still-life detail. His oeuvre also, however, includes many spectacular mythological and religious compositions set in expansive landscapes, and for these he found inspiration in Classical mythology, ancient history, Aesop's Fables, 16th-century Italian literature and the lives of the saints. Early biographers claim that he was also a prolific portrait painter, but few examples, save the so-called portrait of Gianlorenzo Bernini (c. 1648-50; Genoa, Pal. Bianco), have been conclusively identified. His surviving subjects reveal his interest in magic and metamorphosis and in philosophical questions such as the frailty of human life, the inevitability of death and the search for truth.
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Fable_of_Diogenes
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Year_mid-17th_century_
Technique_Oil_on_canvas_
Dimensions_97__X__145_cm
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Click to Enlarge
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| CASTIGLIONE,_Giovanni_Benedetto
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Fable of Diogenes
Year mid-17th century
Technique Oil on canvas
Dimensions 97 X 145 cm
Painting ID:: 67693
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| Year mid-17th century
Technique Oil on canvas
Dimensions 97 X 145 cm
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CASTIGLIONE, Giovanni Benedetto
Italian Baroque Era Painter, ca.1609-1664
Painter, printmaker and draughtsman. Most of his works are scenes of the journeys of the patriarchs (e.g. Noah, Abraham, Isaac, Jacob), drawn from the book of Genesis and filled with animals and still-life detail. His oeuvre also, however, includes many spectacular mythological and religious compositions set in expansive landscapes, and for these he found inspiration in Classical mythology, ancient history, Aesop's Fables, 16th-century Italian literature and the lives of the saints. Early biographers claim that he was also a prolific portrait painter, but few examples, save the so-called portrait of Gianlorenzo Bernini (c. 1648-50; Genoa, Pal. Bianco), have been conclusively identified. His surviving subjects reveal his interest in magic and metamorphosis and in philosophical questions such as the frailty of human life, the inevitability of death and the search for truth.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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