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EYCK, Jan van

Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
The_Ghent_Altarpiece:_The_Holy_Hermits

EYCK, Jan van The Ghent Altarpiece: The Holy Hermits oil painting on canvas

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EYCK,_Jan_van
The Ghent Altarpiece: The Holy Hermits
1427-30 Oil on wood, 148,6 x 53,9 cm Cathedral of St Bavo, Ghent Opposite to the Soldiers of Christ and the Just Judges are the Holy Hermits who have renounced the world. , EYCK, Jan van , The Ghent Altarpiece: The Holy Hermits , 1401-1450 , Flemish , painting , religious

Painting ID::  64769

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

     1427-30 Oil on wood, 148,6 x 53,9 cm Cathedral of St Bavo, Ghent Opposite to the Soldiers of Christ and the Just Judges are the Holy Hermits who have renounced the world. , EYCK, Jan van , The Ghent Altarpiece: The Holy Hermits , 1401-1450 , Flemish , painting , religious
EYCK, Jan van
Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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