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GHIRLANDAIO, Domenico
Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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Obsequies_of_St_Fina
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Click to Enlarge
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| GHIRLANDAIO,_Domenico
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Obsequies of St Fina
1473-75 Fresco Colleggiata, San Gimignano In the long row of expressive heads Ghirlandaio already reveals his unique ability to create convincing character studies, a skill that was to bring him fame and many well paid commissions. Some of those depicted do not seem to be taking part in the ceremony, while others are deeply moved. The server at the saint's feet is more interested in his processional cross than in the ceremony, and the server next to him is looking around to keep himself amused. In the lower left corner on of the miracles can be seen: a blind choirboy who kisses her foot regains his sight. Artist:GHIRLANDAIO, Domenico Title: Obsequies of St Fina (detail), 1451-1500, Italian , painting , religious
Painting ID:: 64764
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| 1473-75 Fresco Colleggiata, San Gimignano In the long row of expressive heads Ghirlandaio already reveals his unique ability to create convincing character studies, a skill that was to bring him fame and many well paid commissions. Some of those depicted do not seem to be taking part in the ceremony, while others are deeply moved. The server at the saint's feet is more interested in his processional cross than in the ceremony, and the server next to him is looking around to keep himself amused. In the lower left corner on of the miracles can be seen: a blind choirboy who kisses her foot regains his sight. Artist:GHIRLANDAIO, Domenico Title: Obsequies of St Fina (detail), 1451-1500, Italian , painting , religious |
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GHIRLANDAIO, Domenico
Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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