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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
Rebecca_and_Eliezer

MAULBERTSCH, Franz Anton Rebecca and Eliezer oil painting on canvas

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MAULBERTSCH,_Franz_Anton
Rebecca and Eliezer
1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious

Painting ID::  64566

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

     1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious
MAULBERTSCH, Franz Anton
Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
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