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Albrecht Durer

b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
Nuremberg_Woman_Dressed_for_Church

Albrecht Durer Nuremberg Woman Dressed for Church oil painting on canvas

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Albrecht_Durer
Nuremberg Woman Dressed for Church
1500 Pen and ink and watercolour on paper, 325 x 218 mm Graphische Sammlung Albertina, Vienna D?rer, who seems to have dressed well himself, was always interested in depicting clothing and he produced some of the earliest known costume studies in European art. This is one of a set of four costume studies of Nuremberg women, two of them in dancing dresses and one in everyday attire. The artist's wife Agnes; then in her mid-twenties, was probably the model. The watercolour is inscribed: `This is how people dress for church in Nuremberg' along with the text `Think of me in Thy Realm'. Dressed in her best clothes for church, the demure young woman wears a red cloak with a green lining and beneath this is a blue-green dress fringed with white fur. She has a starched linen headdress. Her eyes look down at the ground, in a contemplative pose. Four years later D?rer used this study in his woodcut of the Marriage of the Virgin. The Nuremberg woman appears at the right of the print, in reverse, as one of the seven virgins who were Mary's companions.Artist:D?RER, Albrecht Title: Nuremberg Woman Dressed for Church Painted in 1501-1550 , German - - graphics : other

Painting ID::  63641

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    1500 Pen and ink and watercolour on paper, 325 x 218 mm Graphische Sammlung Albertina, Vienna D?rer, who seems to have dressed well himself, was always interested in depicting clothing and he produced some of the earliest known costume studies in European art. This is one of a set of four costume studies of Nuremberg women, two of them in dancing dresses and one in everyday attire. The artist's wife Agnes; then in her mid-twenties, was probably the model. The watercolour is inscribed: `This is how people dress for church in Nuremberg' along with the text `Think of me in Thy Realm'. Dressed in her best clothes for church, the demure young woman wears a red cloak with a green lining and beneath this is a blue-green dress fringed with white fur. She has a starched linen headdress. Her eyes look down at the ground, in a contemplative pose. Four years later D?rer used this study in his woodcut of the Marriage of the Virgin. The Nuremberg woman appears at the right of the print, in reverse, as one of the seven virgins who were Mary's companions.Artist:D?RER, Albrecht Title: Nuremberg Woman Dressed for Church Painted in 1501-1550 , German - - graphics : other
Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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