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Blake, William

William Blake was an English poet, painter was born November 28, 1757, in London William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public
The_Descent_of_Christ

Blake, William The Descent of Christ oil painting on canvas

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Blake,_William
The Descent of Christ
1804-20 Etching with pen, watercolour and gold, 219 x 159 mm Yale Center for British Art, New Haven This is Plate 35 of the illustrated poem Jerusalem. In this early page of Jerusalem, the sleeping Albion is visited by Christ, who awakens his dormant desire for salvation. Though Albion is not yet conscious of Christ's sacrifice, its promise is foreshadowed by the new body that begins to emerge from his breast. Author: BLAKE, William Title: The Descent of Christ Form: graphics , 1751-1800 , English , religious

Painting ID::  62540

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    1804-20 Etching with pen, watercolour and gold, 219 x 159 mm Yale Center for British Art, New Haven This is Plate 35 of the illustrated poem Jerusalem. In this early page of Jerusalem, the sleeping Albion is visited by Christ, who awakens his dormant desire for salvation. Though Albion is not yet conscious of Christ's sacrifice, its promise is foreshadowed by the new body that begins to emerge from his breast. Author: BLAKE, William Title: The Descent of Christ Form: graphics , 1751-1800 , English , religious
Blake, William
William Blake was an English poet, painter was born November 28, 1757, in London William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public
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