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100% hand painted, 100% cotton canvas,
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GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614
Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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The_Resurrection
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Click to Enlarge
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| GRECO,_El
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The Resurrection
210 x 128 cm Church of Santo Domingo el Antiguo, Toledo Painted for the side altar on the Epistle side (right) of the church, and still in place. Probably painted 1578-79, following the completion of the High Altarpiece. The presence of Saint Ildefonso, the patron Saint of Toledo, was stipulated in the documents. Diego de Castilla, the Dean of Toledo Cathedral, is probably represented in this figure, which certainly is a portrait. The figure assists in setting an ideal plane for the enacting of the mystic event. El Greco has eliminated the intrusion of an incongruous space. The ground running parallel with the plane of the action produces no conflict. The rhythm of the passages of colour and light over the surface helps to hold together the composition, with its dramatic split revealing the figure of the Risen Christ. What suggestions remain of an ordinary conception of space, of corporeality and of a schematic quality of composition, disappear in his final version of the subject (painted in 1596-1600, now in the Prado, Madrid). Author: GRECO, El Title: The?Resurrection , 1551-1600 , Spanish Form: painting , religious
Painting ID:: 62352
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| 210 x 128 cm Church of Santo Domingo el Antiguo, Toledo Painted for the side altar on the Epistle side (right) of the church, and still in place. Probably painted 1578-79, following the completion of the High Altarpiece. The presence of Saint Ildefonso, the patron Saint of Toledo, was stipulated in the documents. Diego de Castilla, the Dean of Toledo Cathedral, is probably represented in this figure, which certainly is a portrait. The figure assists in setting an ideal plane for the enacting of the mystic event. El Greco has eliminated the intrusion of an incongruous space. The ground running parallel with the plane of the action produces no conflict. The rhythm of the passages of colour and light over the surface helps to hold together the composition, with its dramatic split revealing the figure of the Risen Christ. What suggestions remain of an ordinary conception of space, of corporeality and of a schematic quality of composition, disappear in his final version of the subject (painted in 1596-1600, now in the Prado, Madrid). Author: GRECO, El Title: The?Resurrection , 1551-1600 , Spanish Form: painting , religious |
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GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614
Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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