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Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
Chalk_Cliffs_on_Rugen

Caspar David Friedrich Chalk Cliffs on Rugen oil painting on canvas

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Caspar_David_Friedrich
Chalk Cliffs on Rugen
Chalk Cliffs on Rugen, (1818). 90.5 ?? 71 cm. Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Friedrich married Christiane Caroline Bommer in 1818, and on their honeymoon they visited relatives in Neubrandenburg and Greifswald. This painting celebrates the couple's union

Painting ID::  58863

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    Chalk Cliffs on Rugen, (1818). 90.5 ?? 71 cm. Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Friedrich married Christiane Caroline Bommer in 1818, and on their honeymoon they visited relatives in Neubrandenburg and Greifswald. This painting celebrates the couple's union
Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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