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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Diego Velazquez
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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margarita_teresa_i_bla_klanning
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Click to Enlarge
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| Diego_Velazquez
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margarita teresa i bla klanning
mk248 infantinnan margarita den cbarmermerande centralgestan i hovdamerna framstar bar som fjar ocb insparrad i sin formella bovklanning. valazquez bade uppdraget att regelbundet mala portratt av prinsessan, som sandes till bovet i osterrike for att man skulle kunna folja bennes uppvaxt. hon bade redan som spadbarn trolovats med prins leopold.
Painting ID:: 56686
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| mk248 infantinnan margarita den cbarmermerande centralgestan i hovdamerna framstar bar som fjar ocb insparrad i sin formella bovklanning. valazquez bade uppdraget att regelbundet mala portratt av prinsessan, som sandes till bovet i osterrike for att man skulle kunna folja bennes uppvaxt. hon bade redan som spadbarn trolovats med prins leopold. |
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Diego Velazquez
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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