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Theodore Gericault

French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
den_sinnessjuka._la_salperieres_hyena

Theodore   Gericault den sinnessjuka. la salperieres hyena oil painting on canvas

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Theodore___Gericault
den sinnessjuka. la salperieres hyena
mk248 under vistelsen i storbritannien bade gericult gjort studier av fattigdom ocb elande pa londons gator. l samma anda besokte ban efter aterkomsten till paris la salpetriere, ett sinnessjukbus, dar ban gjorde portratt av de intagna i ett medkannande forsok att fanga ocb forsta bilden av mentalsjukdom.

Painting ID::  56588

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16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    mk248 under vistelsen i storbritannien bade gericult gjort studier av fattigdom ocb elande pa londons gator. l samma anda besokte ban efter aterkomsten till paris la salpetriere, ett sinnessjukbus, dar ban gjorde portratt av de intagna i ett medkannande forsok att fanga ocb forsta bilden av mentalsjukdom.
Theodore Gericault
French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
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