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Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
lorchestre_de_l_opera

Edgar Degas lorchestre de l opera oil painting on canvas

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Edgar_Degas
lorchestre de l opera
mk248 den forsta i en serie malningar av orkesternedlemmar ocb ett portratt av degas uan desire dibau, som demokratiskt placerats bland de ovriga orkestermedlemmarna strax nedanfor en ljus fris av densoser, upplysta ocb delacroix som degas beundrade. degas ocb delacroix bade ett veten skapligt intresse for fargteori ocb pigment.

Painting ID::  56561

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    mk248 den forsta i en serie malningar av orkesternedlemmar ocb ett portratt av degas uan desire dibau, som demokratiskt placerats bland de ovriga orkestermedlemmarna strax nedanfor en ljus fris av densoser, upplysta ocb delacroix som degas beundrade. degas ocb delacroix bade ett veten skapligt intresse for fargteori ocb pigment.
Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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