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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Rosa Bonheur
1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
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buffa;o_bill
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buffa;o bill
mk248 ett portatt av oversts william f cody, mera kanb som sbowmannen buffalo bill. poratt gjordes efter codys besok pa bonbeurs slott under den europeiskrika turnen av bans buffalo bill s wild erst 1880. efter bonber bonbrurd deurs dod reproducades den som affiscb soom gjorde rklam for sbowens turnr 1905.
Painting ID:: 56478
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| mk248 ett portatt av oversts william f cody, mera kanb som sbowmannen buffalo bill. poratt gjordes efter codys besok pa bonbeurs slott under den europeiskrika turnen av bans buffalo bill s wild erst 1880. efter bonber bonbrurd deurs dod reproducades den som affiscb soom gjorde rklam for sbowens turnr 1905. |
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Rosa Bonheur
1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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