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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
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The_Sacred_Family_with_Holy_Catalina,_San_Sebastian_and_an_owner.the_Holy
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mk166_
First_half_of_the_century_XVI.WAVE_on_wood_95x136cm_
Museum_of_the_Louvre_Paris
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Click to Enlarge
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The Sacred Family with Holy Catalina, San Sebastian and an owner.the Holy
mk166
First half of the century XVI.WAVE on wood 95x136cm
Museum of the Louvre Paris
Painting ID:: 41986
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| mk166
First half of the century XVI.WAVE on wood 95x136cm
Museum of the Louvre Paris |
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Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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