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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Philip Hermogenes Calderon
English genre, portraits, domestic and historical scenes Painter, 1833-1898
English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites.
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Her_Most_High,Noble_and_Puissant_Grace
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1865
Oil_on_canvas_119.4__x_213.4_cm_(47_x_84_in)Leeds_City_Art_Gallery_(mk63)
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Click to Enlarge
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Her Most High,Noble and Puissant Grace
1865
Oil on canvas 119.4 x 213.4 cm (47 x 84 in)Leeds City Art Gallery (mk63)
Painting ID:: 28208
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| 1865
Oil on canvas 119.4 x 213.4 cm (47 x 84 in)Leeds City Art Gallery (mk63) |
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Philip Hermogenes Calderon
English genre, portraits, domestic and historical scenes Painter, 1833-1898
English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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