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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Maerten van heemskerck
Dutch Northern Renaissance Painter, 1498-1574
Dutch painter, draughtsman and print designer. He was among the second generation of Netherlandish artists to travel to Italy, where he was profoundly affected by the work of contemporary artists in Rome and by the examples of Classical sculpture to be seen in the city (see ROMANISM). On his return to the north, van Heemskerck had a long and successful career. His extensive oeuvre (over 100 paintings) comprises large altarpieces, portraits and smaller works (with both religious and mythological subjects). He also produced a vast number of drawings for prints. He helped spread the influence of Michelangelo and Giulio Romano in the northern Netherlands, through his strong, monumental style, with much emphasis on anatomical detail. He was thus an important figure in the dissemination of late Mannerism in northern Europe
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Self-Portrait_of_the_Painter_with_the_Colosseum_in_the_Background
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1553
Oil_on_wood,
42.2x54cm
Fitzwilliam_Museum,Cambridge
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Click to Enlarge
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Maerten_van_heemskerck
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Self-Portrait of the Painter with the Colosseum in the Background 1553
Oil on wood,
42.2x54cm
Fitzwilliam Museum,Cambridge
Painting ID:: 26742
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1553
Oil on wood,
42.2x54cm
Fitzwilliam Museum,Cambridge |
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Maerten van heemskerck
Dutch Northern Renaissance Painter, 1498-1574
Dutch painter, draughtsman and print designer. He was among the second generation of Netherlandish artists to travel to Italy, where he was profoundly affected by the work of contemporary artists in Rome and by the examples of Classical sculpture to be seen in the city (see ROMANISM). On his return to the north, van Heemskerck had a long and successful career. His extensive oeuvre (over 100 paintings) comprises large altarpieces, portraits and smaller works (with both religious and mythological subjects). He also produced a vast number of drawings for prints. He helped spread the influence of Michelangelo and Giulio Romano in the northern Netherlands, through his strong, monumental style, with much emphasis on anatomical detail. He was thus an important figure in the dissemination of late Mannerism in northern Europe
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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