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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Oortrait_du_cardinal_Astalli_(Pamphilj)_(df02)
1650-1651 Cardinal_Astalli_(Pamphili) Kardinal_Astalli_(Pamphili) 61_x_48.5_cm

Diego Velazquez Oortrait du cardinal Astalli (Pamphilj) (df02) oil painting on canvas

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Diego_Velazquez
Oortrait du cardinal Astalli (Pamphilj) (df02)
1650-1651 Cardinal Astalli (Pamphili) Kardinal Astalli (Pamphili) 61 x 48.5 cm

Painting ID::  22726

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    1650-1651 Cardinal Astalli (Pamphili) Kardinal Astalli (Pamphili) 61 x 48.5 cm
Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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