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Pietro da Cortona

1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
Holy_Family_Resting_on_thte_Flight_to_Egypt_(mk08)
c.1643 Oil_on_copper, 48x39cm Munich,Bayerische_Staas-gemaldesammlungen, Alte_Pinakothek

Pietro da Cortona Holy Family Resting on thte Flight to Egypt (mk08) oil painting on canvas

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Pietro_da_Cortona
Holy Family Resting on thte Flight to Egypt (mk08)
c.1643 Oil on copper, 48x39cm Munich,Bayerische Staas-gemaldesammlungen, Alte Pinakothek

Painting ID::  21538

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    c.1643 Oil on copper, 48x39cm Munich,Bayerische Staas-gemaldesammlungen, Alte Pinakothek
Pietro da Cortona
1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
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