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100% hand painted, 100% cotton canvas,
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Duccio di Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Peter's_First_Denial_of_Christ_and_Christ_Before_the_High_Priest_Annas_(mk08)
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1308-1311
Tempera_on_wood
99x33.5cm.Siena,
Museo_dell'Opera_del_Duomo
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Click to Enlarge
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Duccio_di_Buoninsegna
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Peter's First Denial of Christ and Christ Before the High Priest Annas (mk08) 1308-1311
Tempera on wood
99x33.5cm.Siena,
Museo dell'Opera del Duomo
Painting ID:: 21155
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1308-1311
Tempera on wood
99x33.5cm.Siena,
Museo dell'Opera del Duomo |
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Duccio di Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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