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Giuseppe Maria Crespi

1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
The_Death_of_St_Joseph_(san_05)
ca_1712_(Inv_No_25)Oil_on_canvas_92_x_73_1/2''(234.5_x_187_cm)(Ex_coll_Bruhl_Dresden_1769)

Giuseppe Maria Crespi The Death of St Joseph (san 05) oil painting on canvas

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Giuseppe_Maria_Crespi
The Death of St Joseph (san 05)
ca 1712 (Inv No 25)Oil on canvas 92 x 73 1/2''(234.5 x 187 cm)(Ex coll Bruhl Dresden 1769)

Painting ID::  20968

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    ca 1712 (Inv No 25)Oil on canvas 92 x 73 1/2''(234.5 x 187 cm)(Ex coll Bruhl Dresden 1769)
Giuseppe Maria Crespi
1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
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