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Pietro da Cortona

1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
Nativity_of_the_Virgin_(mk05)
Canvas,66_1/4_x_47''(168_x_119_cm).Acquired_from_Eberhard_Jabach_in_1662_for_the_collection_of_Louis

Pietro da Cortona Nativity of the Virgin (mk05) oil painting on canvas

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Pietro_da_Cortona
Nativity of the Virgin (mk05)
Canvas,66 1/4 x 47''(168 x 119 cm).Acquired from Eberhard Jabach in 1662 for the collection of Louis

Painting ID::  20460

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    Canvas,66 1/4 x 47''(168 x 119 cm).Acquired from Eberhard Jabach in 1662 for the collection of Louis
Pietro da Cortona
1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
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