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Eugene Fromentin

1820-1876 He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849 he obtained a medal of the second class. In 1852 he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. In a certain sense his works are contributions to ethnological science as much as they are works of art.
Morish_Burial
1853(Salon_of_1853) 1'__1''_x_1'__10''(32.5_x_56cm) Gift_of_Etienne_Moreau-Nelation,1907

Eugene Fromentin Morish Burial oil painting on canvas

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Eugene_Fromentin
Morish Burial
1853(Salon of 1853) 1' 1'' x 1' 10''(32.5 x 56cm) Gift of Etienne Moreau-Nelation,1907

Painting ID::  11285

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    1853(Salon of 1853) 1' 1'' x 1' 10''(32.5 x 56cm) Gift of Etienne Moreau-Nelation,1907
Eugene Fromentin
1820-1876 He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849 he obtained a medal of the second class. In 1852 he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. In a certain sense his works are contributions to ethnological science as much as they are works of art.
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