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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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SASSOFERRATO
Italian Baroque Era Painter, 1609-1685
Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
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Portrait_of_Monsignor_Ottaviano_Prati__ar
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c._1650
Oil_on_canvas,_119_x_92_cm
Galleria_Nazionale_d'Arte_Antica,_Rome
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Click to Enlarge
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| SASSOFERRATO
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Portrait of Monsignor Ottaviano Prati ar
c. 1650
Oil on canvas, 119 x 92 cm
Galleria Nazionale d'Arte Antica, Rome
Painting ID:: 9068
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| c. 1650
Oil on canvas, 119 x 92 cm
Galleria Nazionale d'Arte Antica, Rome |
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SASSOFERRATO
Italian Baroque Era Painter, 1609-1685
Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
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