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100% hand painted, 100% cotton canvas,
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PRETI, Mattia
Italian Baroque Era Painter, 1613-1699
Italian painter and draughtsman. Although he was trained and had his first success as a painter in Rome during the 1630s and 1640s, he is traditionally associated with the Neapolitan school. It was in Naples between 1653 and 1660 that he made his most lasting mark (see fig. 1), contributing to the evolution of the exuberant late Baroque style and providing an important source of inspiration to later generations of painters, notably to Francesco Solimena. From 1661 he was based in Malta, where his most substantial undertaking was the decoration of St John's, Valletta. Preti's mature style is intensely dramatic and unites a Caravaggesque realism and expressive chiaroscuro with the grandeur and theatricality of Venetian High Renaissance painting.
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Aeneas,_Anchises_and_Ascanius_Fleeing_Troy_a
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1630s
Oil_on_canvas,_86_x_153_cm
Galleria_Nazionale_d'Arte_Antica,_Rome
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Click to Enlarge
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| PRETI,_Mattia
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Aeneas, Anchises and Ascanius Fleeing Troy a
1630s
Oil on canvas, 86 x 153 cm
Galleria Nazionale d'Arte Antica, Rome
Painting ID:: 8666
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| 1630s
Oil on canvas, 86 x 153 cm
Galleria Nazionale d'Arte Antica, Rome |
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PRETI, Mattia
Italian Baroque Era Painter, 1613-1699
Italian painter and draughtsman. Although he was trained and had his first success as a painter in Rome during the 1630s and 1640s, he is traditionally associated with the Neapolitan school. It was in Naples between 1653 and 1660 that he made his most lasting mark (see fig. 1), contributing to the evolution of the exuberant late Baroque style and providing an important source of inspiration to later generations of painters, notably to Francesco Solimena. From 1661 he was based in Malta, where his most substantial undertaking was the decoration of St John's, Valletta. Preti's mature style is intensely dramatic and unites a Caravaggesque realism and expressive chiaroscuro with the grandeur and theatricality of Venetian High Renaissance painting.
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