|
|
|
| |
|
100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
|
|
|
|
|
MOMPER, Joos de
Flemish painter (b. 1564, Antwerpen, d. 1634/35, Antwerpen).
also known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings. Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to green and finally blue in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures.
|
|
Helicon_or_Minerva's_Visit_to_the_Muses_sg
|
|
Oil_on_panel,_140_x_199_cm
Koninklijk_Museum_voor_Schone_Kunsten,_Antwerp
|
|
|
|
|
Click to Enlarge
|
| MOMPER,_Joos_de
|
Helicon or Minerva's Visit to the Muses sg
Oil on panel, 140 x 199 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
Painting ID:: 8250
|
|
|
|
|
|
| Oil on panel, 140 x 199 cm
Koninklijk Museum voor Schone Kunsten, Antwerp |
|
MOMPER, Joos de
Flemish painter (b. 1564, Antwerpen, d. 1634/35, Antwerpen).
also known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings. Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to green and finally blue in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures.
|
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
|
|
