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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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FOPPA, Vincenzo
Italian Early Renaissance Painter, ca.1430-1515
was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.
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St_Stephen_the_Martyr_dfg
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Tempera_on_wood,_89_x_34_cm
The_Hermitage,_St._Petersburg
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Click to Enlarge
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| FOPPA,_Vincenzo
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St Stephen the Martyr dfg
Tempera on wood, 89 x 34 cm
The Hermitage, St. Petersburg
Painting ID:: 6685
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| Tempera on wood, 89 x 34 cm
The Hermitage, St. Petersburg |
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FOPPA, Vincenzo
Italian Early Renaissance Painter, ca.1430-1515
was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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