|
|
|
| |
|
100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
|
|
|
|
|
DUGHET, Gaspard
French Baroque Era Painter, 1615-1675
Italian painter. He was one of the most distinguished landscape painters working in Rome in the 17th century, painting decorative frescoes and many easel paintings for such major Roman patrons as Pope Innocent X and the Colonna family. He is associated with a new genre of landscape, the storm scene, although of some 400 catalogued works little more than 30 treat this theme. His most characteristic works depict the beauty of the scenery around Rome, particularly near Tivoli, and suggest the shifting patterns of light and shade across a rugged terrain. Dughet drew from nature, yet his landscapes are carefully structured, and figures in antique dress suggest the ancient beauty of a landscape celebrated by Virgil. Very few can be securely dated; his development may be inferred from his few dated fresco paintings and from the wider context in which he was working. Most writers, following Pascoli, have divided Dughet's career into three periods.
|
|
Landscape_with_St_Augustine_and_the_Mystery_dfg
|
|
1651-53
Oil_on_canvas,_278,5_x_385,5_cm
Galleria_Doria-Pamphili,_Rome
|
|
|
|
|
Click to Enlarge
|
| DUGHET,_Gaspard
|
Landscape with St Augustine and the Mystery dfg
1651-53
Oil on canvas, 278,5 x 385,5 cm
Galleria Doria-Pamphili, Rome
Painting ID:: 6496
|
|
|
|
|
|
| 1651-53
Oil on canvas, 278,5 x 385,5 cm
Galleria Doria-Pamphili, Rome |
|
DUGHET, Gaspard
French Baroque Era Painter, 1615-1675
Italian painter. He was one of the most distinguished landscape painters working in Rome in the 17th century, painting decorative frescoes and many easel paintings for such major Roman patrons as Pope Innocent X and the Colonna family. He is associated with a new genre of landscape, the storm scene, although of some 400 catalogued works little more than 30 treat this theme. His most characteristic works depict the beauty of the scenery around Rome, particularly near Tivoli, and suggest the shifting patterns of light and shade across a rugged terrain. Dughet drew from nature, yet his landscapes are carefully structured, and figures in antique dress suggest the ancient beauty of a landscape celebrated by Virgil. Very few can be securely dated; his development may be inferred from his few dated fresco paintings and from the wider context in which he was working. Most writers, following Pascoli, have divided Dughet's career into three periods.
|
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
|
|
