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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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Pilate's_Dispute_with_the_High_Priest_fdg
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1480-85
Oil_on_panel,_45_x_42,5_cm
Koninklijk_Museum_voor_Schone_Kunsten,_Antwerp
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Click to Enlarge
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| DAVID,_Gerard
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Pilate's Dispute with the High Priest fdg
1480-85
Oil on panel, 45 x 42,5 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
Painting ID:: 6382
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| 1480-85
Oil on panel, 45 x 42,5 cm
Koninklijk Museum voor Schone Kunsten, Antwerp |
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DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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