Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Portrat eines jungen Mannes oil painting artist
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Portrat eines jungen Mannes
Date Deutsch: um 1483 English: c. 1483 Medium Deutsch: Tempera auf Holz Dimensions Deutsch: 37,5 X 28,2 cm cyf

     Painting ID::  74300
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_eines_jungen_Mannes
Date Deutsch: um 1483 English: c. 1483 Medium Deutsch: Tempera auf Holz Dimensions Deutsch: 37,5 X 28,2 cm cyf

Sandro Botticelli Holy Trinity oil painting artist
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Holy Trinity
Date between 1491(1491) and 1493(1493) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 192 cm (75.6 in). cjr

     Painting ID::  85514
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Holy_Trinity
Date between 1491(1491) and 1493(1493) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 192 cm (75.6 in). cjr

Sandro Botticelli Virgin and child with two angels oil painting artist
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Virgin and child with two angels
Date c. 1468-1469 Medium tempera on Oil cjr

     Painting ID::  87361
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Virgin_and_child_with_two_angels
Date c. 1468-1469 Medium tempera on Oil cjr

Sandro Botticelli Madonna dell'Eucarestia oil painting artist
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Madonna dell'Eucarestia
oil on canvas cjr

     Painting ID::  89066
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_dell'Eucarestia
oil on canvas cjr

Sandro Botticelli La Vierge et l'Enfant entoures de cinq anges oil painting artist
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La Vierge et l'Enfant entoures de cinq anges
c. 1470(1470) Medium tempera on panel Dimensions 58 x 40 cm (22.8 x 15.7 in) cjr

     Painting ID::  89997
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  La_Vierge_et_l'Enfant_entoures_de_cinq_anges
c. 1470(1470) Medium tempera on panel Dimensions 58 x 40 cm (22.8 x 15.7 in) cjr

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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