Oil Painting Artist::. Diego Velazquez

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     Diego Velazquez
    Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

Diego Velazquez Los Borrachos oil painting artist
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Los Borrachos
Los Borrachos 1629 (English: The Drinkers/The Drunks)

     Painting ID::  61395
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Los_Borrachos
Los Borrachos 1629 (English: The Drinkers/The Drunks)

Diego Velazquez Portrait of the Infanta Maria Theresa of Spain, Philip IV daughter oil painting artist
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Portrait of the Infanta Maria Theresa of Spain, Philip IV daughter
Portrait of the Infanta Maria Theresa of Spain, Philip IV's daughter

     Painting ID::  61396
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Infanta_Maria_Theresa_of_Spain,_Philip_IV_daughter
Portrait of the Infanta Maria Theresa of Spain, Philip IV's daughter

Diego Velazquez La rendicion de Breda was inspired by Velazquez first visit to Italy, oil painting artist
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La rendicion de Breda was inspired by Velazquez first visit to Italy,
La rendicien de Breda (1634-1635, English: The Surrender of Breda) was inspired by Velazquez's first visit to Italy, in which he accompanied Ambrogio Spinola, who conquered the Dutch city of Breda a few years prior. This masterwork depicts a transfer of the key to the city from the Dutch to the Spanish army during the Siege of Breda. It is considered one of the best of Velezquez's paintings.

     Painting ID::  61397
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  La_rendicion_de_Breda_was_inspired_by_Velazquez_first_visit_to_Italy,
La rendicien de Breda (1634-1635, English: The Surrender of Breda) was inspired by Velazquez's first visit to Italy, in which he accompanied Ambrogio Spinola, who conquered the Dutch city of Breda a few years prior. This masterwork depicts a transfer of the key to the city from the Dutch to the Spanish army during the Siege of Breda. It is considered one of the best of Velezquez's paintings.

Diego Velazquez Juan de Pareja oil painting artist
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Juan de Pareja
Juan de Pareja (1650)

     Painting ID::  61398
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Juan_de_Pareja
Juan de Pareja (1650)

Diego Velazquez Portrait of Pablo de Valladolid, oil painting artist
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Portrait of Pablo de Valladolid,
Portrait of Pablo de Valladolid, 1635, a court fool of Philip IV.

     Painting ID::  61400
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Pablo_de_Valladolid,
Portrait of Pablo de Valladolid, 1635, a court fool of Philip IV.

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     Diego_Velazquez
    Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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