Oil Painting Artist::. Anthony Van Dyck

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

Anthony Van Dyck Charles II as child oil painting artist
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Charles II as child
. 1638(1638) Medium Oil on canvas Dimensions 150.5 x 130.7 cm (59.3 x 51.5 in) cyf

     Painting ID::  82814
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Charles_II_as_child
. 1638(1638) Medium Oil on canvas Dimensions 150.5 x 130.7 cm (59.3 x 51.5 in) cyf

Anthony Van Dyck Portrait of a Man oil painting artist
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Portrait of a Man
Date ca. 1619(1619) Medium Oil on canvas Dimensions 199 x 126 cm (78.3 x 49.6 in) cjr

     Painting ID::  82980
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Man
Date ca. 1619(1619) Medium Oil on canvas Dimensions 199 x 126 cm (78.3 x 49.6 in) cjr

Anthony Van Dyck Portrait of Cardinal Guido Bentivoglio oil painting artist
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Portrait of Cardinal Guido Bentivoglio
Oil on canvas Dimensions 147 x 195 cm (57.9 x 76.8 in) cyf

     Painting ID::  83413
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Cardinal_Guido_Bentivoglio
Oil on canvas Dimensions 147 x 195 cm (57.9 x 76.8 in) cyf

Anthony Van Dyck Frans Snyders cropped and downsized oil painting artist
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Frans Snyders cropped and downsized
Oil on canvas Dimensions N/A (original: 82 x 110 cm) cyf

     Painting ID::  83986
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Frans_Snyders_cropped_and_downsized
Oil on canvas Dimensions N/A (original: 82 x 110 cm) cyf

Anthony Van Dyck Portrait of a Young General oil painting artist
 Click Image to Enlarge
Portrait of a Young General
1624(1624) Medium Oil on canvas cyf

     Painting ID::  84422
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_General
1624(1624) Medium Oil on canvas cyf

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     Anthony_Van_Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

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