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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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The Painter Lucas Van Leyden
mk168
244x171mm
Painting ID:: 42410
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The_Painter_Lucas_Van_Leyden
mk168
244x171mm
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The Negress Katharina
mk168
200x140mm
Painting ID:: 42411
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The_Negress_Katharina
mk168
200x140mm
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Cardinal Albrecht of Bran-Denburg in portrait
mk168
174x120mm
Painting ID:: 42412
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Cardinal_Albrecht_of_Bran-Denburg_in_portrait
mk168
174x120mm
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Cardinal Albrecht of Bran-Denburg
mk168
1519
146x96mm
Painting ID:: 42413
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Cardinal_Albrecht_of_Bran-Denburg
mk168
1519
146x96mm
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Cardinal Albrecht of Bran-Denburg
mk168
428x323mm
Chalk on paper
Painting ID:: 42414
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Cardinal_Albrecht_of_Bran-Denburg
mk168
428x323mm
Chalk on paper
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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