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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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Titian
Date first half of 16th century
Medium Oil on oak panel
cjr
Painting ID:: 85031
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Titian
Date first half of 16th century
Medium Oil on oak panel
cjr
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St Mark
Date first half of 16th century
Medium Oil on oak panel
cjr
Painting ID:: 85032
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St_Mark
Date first half of 16th century
Medium Oil on oak panel
cjr
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St Matthew
Date first half of 16th century
Medium Oil on oak panel
cjr
Painting ID:: 85033
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St_Matthew
Date first half of 16th century
Medium Oil on oak panel
cjr
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Profane Love
1514-15, Oil on canvas
cyf
Painting ID:: 85369
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Profane_Love
1514-15, Oil on canvas
cyf
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Portrait of Pietro Aretino
1545(1545)
Medium Oil on canvas
Painting ID:: 86800
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Portrait_of_Pietro_Aretino
1545(1545)
Medium Oil on canvas
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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