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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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The Abduction on the Unicorn
mk168
350x254mm
1516
Painting ID:: 42350
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The_Abduction_on_the_Unicorn
mk168
350x254mm
1516
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Hercules at the Crossroads
mk168
323x223mm
Painting ID:: 42351
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Hercules_at_the_Crossroads
mk168
323x223mm
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Hercules Kills the Stymphalic Birds
mk168
85x110cm
Painting ID:: 42352
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Hercules_Kills_the_Stymphalic_Birds
mk168
85x110cm
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The Muse Calliope an Engraver of Ferrara
mk168
201x141mm
Painting ID:: 42353
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The_Muse_Calliope_an_Engraver_of_Ferrara
mk168
201x141mm
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Prudentia
mk168
202x135mm
Painting ID:: 42354
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Prudentia
mk168
202x135mm
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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