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Andrea del Sarto
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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Madonna mit Hl Johannes
English: c. 1520-1530
Medium Oil on panel
Dimensions Deutsch: 154 x 101 cm
cyf
Painting ID:: 78773
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Madonna_mit_Hl_Johannes
English: c. 1520-1530
Medium Oil on panel
Dimensions Deutsch: 154 x 101 cm
cyf
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Tobias and the Angel with St Leonard and Donor
1512(1512)
Width: 153 cm (60.2 in). Height: 178 cm (70.1 in).
cjr
Painting ID:: 78796
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Tobias_and_the_Angel_with_St_Leonard_and_Donor
1512(1512)
Width: 153 cm (60.2 in). Height: 178 cm (70.1 in).
cjr
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Portrait of a Lady with a Book
1514(1514)
Medium Oil on wood
Dimensions Width: 69 cm (27.2 in). Height: 87 cm (34.3 in).
cyf
Painting ID:: 78848
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Portrait_of_a_Lady_with_a_Book
1514(1514)
Medium Oil on wood
Dimensions Width: 69 cm (27.2 in). Height: 87 cm (34.3 in).
cyf
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Pieta with Saints
between 1523(1523) and 1524(1524)
Medium Oil on wood
Dimensions Width: 199 cm (78.3 in). Height: 239 cm (94.1 in).
cyf
Painting ID:: 79084
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Pieta_with_Saints
between 1523(1523) and 1524(1524)
Medium Oil on wood
Dimensions Width: 199 cm (78.3 in). Height: 239 cm (94.1 in).
cyf
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Portrait of the Artists Wife
between 1513(1513) and 1514(1514)
Medium Oil on panel
cyf
Painting ID:: 79351
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Portrait_of_the_Artists_Wife
between 1513(1513) and 1514(1514)
Medium Oil on panel
cyf
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Andrea_del_Sarto
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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