Oil Painting Artist::. Bartolome Esteban Murillo

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     Bartolome Esteban Murillo
    Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

Bartolome Esteban Murillo Dolorosa oil painting artist
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Dolorosa
166 X 107 cm., Museo de Bellas Artes de Sevilla Date ca. 1665 cyf

     Painting ID::  72786
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Dolorosa
166 X 107 cm., Museo de Bellas Artes de Sevilla Date ca. 1665 cyf

Bartolome Esteban Murillo Virgin and Child, oil painting artist
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Virgin and Child,
Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cjr

     Painting ID::  75765
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Virgin_and_Child,
Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cjr

Bartolome Esteban Murillo Bartolome Esteban Murillo oil painting artist
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Bartolome Esteban Murillo
Óleo sobre lienzo. 0,93x0,66, Meadows Museum, Dallas, Texas. cyf

     Painting ID::  76416
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Bartolome_Esteban_Murillo
Óleo sobre lienzo. 0,93x0,66, Meadows Museum, Dallas, Texas. cyf

Bartolome Esteban Murillo Virgin and Child oil painting artist
 Click Image to Enlarge
Virgin and Child
oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cyf

     Painting ID::  77535
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Virgin_and_Child
oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cyf

Bartolome Esteban Murillo San Leandro, Obispo de Sevilla oil painting artist
 Click Image to Enlarge
San Leandro, Obispo de Sevilla
1655 Oil on canvas cjr

     Painting ID::  78093
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  San_Leandro,_Obispo_de_Sevilla
1655 Oil on canvas cjr

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     Bartolome_Esteban_Murillo
    Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

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