Oil Painting Artist::. Nicolas Poussin

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     Nicolas Poussin
    French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

Nicolas Poussin 'The Jews Gathering the Manna in the Desert oil painting artist
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'The Jews Gathering the Manna in the Desert
Date 1637 - 1639 Medium Oil on canvas Dimensions 149 ?? 200 cm cyf

     Painting ID::  77720
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  'The_Jews_Gathering_the_Manna_in_the_Desert
Date 1637 - 1639 Medium Oil on canvas Dimensions 149 ?? 200 cm cyf

Nicolas Poussin Paysage avec Orion aveugle cherchant le soleil oil painting artist
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Paysage avec Orion aveugle cherchant le soleil
Oil on canvas; 46 7/8 x 72 in. (119.1 x 182.9 cm) Date 1658 cyf

     Painting ID::  78007
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Paysage_avec_Orion_aveugle_cherchant_le_soleil
Oil on canvas; 46 7/8 x 72 in. (119.1 x 182.9 cm) Date 1658 cyf

Nicolas Poussin Gemaldefolge oil painting artist
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Gemaldefolge
1660 - 1664 Oil on canvas 118 x 160 cm cjr

     Painting ID::  78311
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Gemaldefolge
1660 - 1664 Oil on canvas 118 x 160 cm cjr

Nicolas Poussin Der Sommer, Detail oil painting artist
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Der Sommer, Detail
1660 - 1664 Oil on canvas cjr

     Painting ID::  79497
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Der_Sommer,_Detail
1660 - 1664 Oil on canvas cjr

Nicolas Poussin The Triumph of Flora oil painting artist
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The Triumph of Flora
ca. 1627-1629(1627-1629) Oil on canvas 165 x 241 cm (65 x 94.9 in) cjr

     Painting ID::  79518
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Triumph_of_Flora
ca. 1627-1629(1627-1629) Oil on canvas 165 x 241 cm (65 x 94.9 in) cjr

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     Nicolas_Poussin
    French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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