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Frans Hals
1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Portrait of a Man
between 1630(1630) and 1633(1633)
Medium oil on canvas
cyf
Painting ID:: 89540
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Portrait_of_a_Man
between 1630(1630) and 1633(1633)
Medium oil on canvas
cyf
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Portrait of a Standing Man
between 1643(1643) and 1645(1645)
Medium oil on canvas
Dimensions Height: 115 cm (45.3 in). Width: 86.1 cm (33.9 in).
cyf
Painting ID:: 90066
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Portrait_of_a_Standing_Man
between 1643(1643) and 1645(1645)
Medium oil on canvas
Dimensions Height: 115 cm (45.3 in). Width: 86.1 cm (33.9 in).
cyf
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Portrait of Frans Jansz. Post
c. 1655(1655)
Medium oil on canvas
Dimensions 27.5 x 23 cm (10.8 x 9.1 in)
cjr
Painting ID:: 90095
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Portrait_of_Frans_Jansz._Post
c. 1655(1655)
Medium oil on canvas
Dimensions 27.5 x 23 cm (10.8 x 9.1 in)
cjr
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Portrait of woman with gloves
1650(1650)
Medium oil on canvas
Dimensions 102.3 x 81.3 cm (40.3 x 32 in)
cyf
Painting ID:: 90177
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Portrait_of_woman_with_gloves
1650(1650)
Medium oil on canvas
Dimensions 102.3 x 81.3 cm (40.3 x 32 in)
cyf
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Portrait of a Seated Woman Holding a Fan
between 1648(1648) and 1650(1650)
Medium oil on canvas
Dimensions Height: 109.5 cm (43.1 in). Width: 82.5 cm (32.5 in).
cyf
Painting ID:: 90428
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Portrait_of_a_Seated_Woman_Holding_a_Fan
between 1648(1648) and 1650(1650)
Medium oil on canvas
Dimensions Height: 109.5 cm (43.1 in). Width: 82.5 cm (32.5 in).
cyf
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Frans_Hals
1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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