Oil Painting Artist::. Francisco de Zurbaran

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     Francisco de Zurbaran
    1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

Francisco de Zurbaran Meditierender Hl. Franziskus mit Totenschadel oil painting artist
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Meditierender Hl. Franziskus mit Totenschadel
c. 1658 Oil on canvas 64 x 53 cm (25.2 x 20.87 in)

     Painting ID::  71695
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Meditierender_Hl._Franziskus_mit_Totenschadel
c. 1658 Oil on canvas 64 x 53 cm (25.2 x 20.87 in)

Francisco de Zurbaran Saint Francis in Meditation oil painting artist
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Saint Francis in Meditation
1639(1639) Oil on canvas 162 x 137 cm (63.78 x 53.94 in)

     Painting ID::  71696
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Saint_Francis_in_Meditation
1639(1639) Oil on canvas 162 x 137 cm (63.78 x 53.94 in)

Francisco de Zurbaran Knieender Hl. Franziskus oil painting artist
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Knieender Hl. Franziskus
c. 1635-1640 Oil on canvas 152 x 99 cm

     Painting ID::  71727
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Knieender_Hl._Franziskus
c. 1635-1640 Oil on canvas 152 x 99 cm

Francisco de Zurbaran St. Louis Bertrand. oil painting artist
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St. Louis Bertrand.
St. Louis Bertrand. Spanish Baroque Oil painting over canvas 209 x 154 cm.

     Painting ID::  71791
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St._Louis_Bertrand.
St. Louis Bertrand. Spanish Baroque Oil painting over canvas 209 x 154 cm.

Francisco de Zurbaran Hl. Franziskus oil painting artist
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Hl. Franziskus
c. 1645 Oil on canvas 197 X 106 cm (77.56 X 41.73 in) cjr

     Painting ID::  72551
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Hl._Franziskus
c. 1645 Oil on canvas 197 X 106 cm (77.56 X 41.73 in) cjr

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     Francisco_de_Zurbaran
    1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

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