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Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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Autumn in America, Oneida County
oil on canvas, 50.17 x 70.17 cm
cjr
Painting ID:: 89923
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Autumn_in_America,_Oneida_County
oil on canvas, 50.17 x 70.17 cm
cjr
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The Sunset at Monterey Bay
oil on canvas
cyf
Painting ID:: 90057
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The_Sunset_at_Monterey_Bay
oil on canvas
cyf
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San Francisco Bay
1871-1873
Medium oil on paperboard mounted on paperboard
Dimensions 35 x 48.5 cm (13.8 x 19.1 in)
cyf
Painting ID:: 90181
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San_Francisco_Bay
1871-1873
Medium oil on paperboard mounted on paperboard
Dimensions 35 x 48.5 cm (13.8 x 19.1 in)
cyf
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Olevano
1856-57
Medium English: Oil on paper mounted on canvas
Dimensions 19 3/4 x 27 1/8 in. (50.2 x 68.9 cm)
cjr
Painting ID:: 90204
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Olevano
1856-57
Medium English: Oil on paper mounted on canvas
Dimensions 19 3/4 x 27 1/8 in. (50.2 x 68.9 cm)
cjr
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Nooning on the Platte
c. 1859
Medium : Oil on paper mounted on canvas
Dimensions 7 x 13 1/16 in. (17.8 x 33.2 cm)
cjr
Painting ID:: 90274
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Nooning_on_the_Platte
c. 1859
Medium : Oil on paper mounted on canvas
Dimensions 7 x 13 1/16 in. (17.8 x 33.2 cm)
cjr
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Albert_Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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