Oil Painting Artist::. Jean Baptiste Camille Corot

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     Jean Baptiste Camille Corot
    1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

Jean Baptiste Camille  Corot woman in blue oil painting artist
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woman in blue
1874 paris, louvre

     Painting ID::  64371
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  woman_in_blue
1874 paris, louvre

Jean Baptiste Camille  Corot The Harbor of La Rochelle oil painting artist
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The Harbor of La Rochelle
English: "The Harbor of La Rochelle," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 19 7/8 in. x 28 1/4 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn. Date 1851 cyf

     Painting ID::  74768
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Harbor_of_La_Rochelle
English: "The Harbor of La Rochelle," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 19 7/8 in. x 28 1/4 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn. Date 1851 cyf

Jean Baptiste Camille  Corot Madame Legois oil painting artist
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Madame Legois
Date 1838 Medium Oil on canvas Dimensions 53 ?? 40 cm (20.9 ?? 15.7 in) cyf

     Painting ID::  76122
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madame_Legois
Date 1838 Medium Oil on canvas Dimensions 53 ?? 40 cm (20.9 ?? 15.7 in) cyf

Jean Baptiste Camille  Corot Le Pont de Mantes oil painting artist
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Le Pont de Mantes
Oil on canvas, ca. 1868 - 1870 cyf

     Painting ID::  85348
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Le_Pont_de_Mantes
Oil on canvas, ca. 1868 - 1870 cyf

Jean Baptiste Camille  Corot L'Etang aux trois Vaches et au Croissant de Lune oil painting artist
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L'Etang aux trois Vaches et au Croissant de Lune
35.5 x 53.4 cm, oil on canvas Date c. 1850(1850) cyf

     Painting ID::  85356
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  L'Etang_aux_trois_Vaches_et_au_Croissant_de_Lune
35.5 x 53.4 cm, oil on canvas Date c. 1850(1850) cyf

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     Jean_Baptiste_Camille__Corot
    1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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