|
|
|
| | | Prev Artist Next Artist
|
|
Thomas Eakins
American Realist Painter, 1844-1916.
Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history.
For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective.
No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation.
Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".
|
|
|
|
|
| Click Image to Enlarge |
Mrs William Shaw Ward
102.2 by 76.2 cm
oil on canvas
1884
cyf
Painting ID:: 88843
|
|
|
Mrs_William_Shaw_Ward
102.2 by 76.2 cm
oil on canvas
1884
cyf
|
|
|
|
| Click Image to Enlarge |
Portrait of Dr. Edward Anthony Spitzka
c. 1913(1913)
Medium oil on canvas
cjr
Painting ID:: 89176
|
|
|
Portrait_of_Dr._Edward_Anthony_Spitzka
c. 1913(1913)
Medium oil on canvas
cjr
|
|
|
|
| Click Image to Enlarge |
The Biglen Brothers Racing
1873(1873)
Medium oil on canvas
Dimensions Deutsch: 61 x 91,5 cm
cjr
Painting ID:: 89227
|
|
|
The_Biglen_Brothers_Racing
1873(1873)
Medium oil on canvas
Dimensions Deutsch: 61 x 91,5 cm
cjr
|
|
|
|
| Click Image to Enlarge |
The Wrestlers
1899(1899)
Medium oil on canvas
Dimensions 48 3/8" x 60"
cjr
Painting ID:: 90213
|
|
|
The_Wrestlers
1899(1899)
Medium oil on canvas
Dimensions 48 3/8" x 60"
cjr
|
|
|
|
| Click Image to Enlarge |
Weda Cook
1891(1891)
Medium oil on canvas
Dimensions 24" x 20"
cjr
Painting ID:: 90214
|
|
|
Weda_Cook
1891(1891)
Medium oil on canvas
Dimensions 24" x 20"
cjr
|
|
|
| Prev Artist Next Artist
|
|
Thomas_Eakins
American Realist Painter, 1844-1916.
Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history.
For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective.
No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation.
Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
|
|
|
|
|
