Oil Painting Artist::. Nicolas Poussin

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     Nicolas Poussin
    French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

Nicolas Poussin Nymph and satyrs oil painting artist
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Nymph and satyrs
Nymph and satyrs, ca 1627 (National Gallery, London)

     Painting ID::  60084
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Nymph_and_satyrs
Nymph and satyrs, ca 1627 (National Gallery, London)

Nicolas Poussin L Hiver ou Le Deluge oil painting artist
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L Hiver ou Le Deluge
Oil on canvas 1,18 m X 1,60 m 1660-1664

     Painting ID::  67407
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  L_Hiver_ou_Le_Deluge
Oil on canvas 1,18 m X 1,60 m 1660-1664

Nicolas Poussin Heilige Familie mit Engeln, Oval oil painting artist
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Heilige Familie mit Engeln, Oval
c. 1625-1630 oil on canvas 57 X 74 cm (22.44 X 29.13 in)

     Painting ID::  68771
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Heilige_Familie_mit_Engeln,_Oval
c. 1625-1630 oil on canvas 57 X 74 cm (22.44 X 29.13 in)

Nicolas Poussin Die Zeit und die Wahrheit, Allegorie, Tondo oil painting artist
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Die Zeit und die Wahrheit, Allegorie, Tondo
1641(1641) Oil on canvas

     Painting ID::  68773
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Die_Zeit_und_die_Wahrheit,_Allegorie,_Tondo
1641(1641) Oil on canvas

Nicolas Poussin landscape with pyramus and thisbe oil painting artist
 Click Image to Enlarge
landscape with pyramus and thisbe
1650-1 oil on canvas 192.5x273.5cm se

     Painting ID::  68810
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  landscape_with_pyramus_and_thisbe
1650-1 oil on canvas 192.5x273.5cm se

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     Nicolas_Poussin
    French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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