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Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Woman Combing Her Hair
ca 1897
Pastel,2' 1'' x 1' 5''(82 x 57 cm)
Painting ID:: 11457
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Woman_Combing_Her_Hair
ca 1897
Pastel,2' 1'' x 1' 5''(82 x 57 cm)
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Semiramis Building Babylon (mk06)
1861
4' 11 1/2'' x 8' 5 1/2''(151 x 258 cm)RF 2207
Painting ID:: 21086
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Semiramis_Building_Babylon_(mk06)
1861
4' 11 1/2'' x 8' 5 1/2''(151 x 258 cm)RF 2207
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The Orchestra of the Opera (mk06)
ca 1868-1869
1' 10 1/4'' x 1'6''(56.5 x 46 cm)Rf 2417
Painting ID:: 21087
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The_Orchestra_of_the_Opera_(mk06)
ca 1868-1869
1' 10 1/4'' x 1'6''(56.5 x 46 cm)Rf 2417
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At the Stock Exchange (mk06)
ca 1878-1879
3' 3 1/4'' x 2'8 1/4''(100 x 82 cm)Gift of Ernest May 1923 RF 2444
Painting ID:: 21095
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At_the_Stock_Exchange_(mk06)
ca 1878-1879
3' 3 1/4'' x 2'8 1/4''(100 x 82 cm)Gift of Ernest May 1923 RF 2444
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The Pedicure (mk06)
1873
Paper on canvas 2' x 1'6''(61 x 46 cm)Bequest of Count Isaac de Camondo,1911 RF 1986
Painting ID:: 21096
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The_Pedicure_(mk06)
1873
Paper on canvas 2' x 1'6''(61 x 46 cm)Bequest of Count Isaac de Camondo,1911 RF 1986
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Edgar_Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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